Monday, May 29, 2017

GRENDEL, John Gardner

Greetings, Anglo-Saxon poetry fans and postmodern monster lovers alike. That’s a combination of readers I didn’t expect to come across in my fantasy excavations. Sure, there are plenty of contemporary fantasy works featuring monsters from gothic literature—e.g. vampires and werewolves—and folklore—e.g. fairies, witches and werewolves again (?)—that give the monsters a sympathetic perspective. Heck, more and more we get revamped fairy tales that turn classic villains into heroes or anti-heroes. So, what makes John Gardner’s Grendel stand out?

Let’s start with the fact that you probably know Grendel’s original source, the epic poem Beowulf, from one of three sources: your high school literature class, the 2007 3D-animated film with Angelina Jolie as Grendel’s mostly naked lizard mother, or the Wishbone book adaptation Be A Wolf! (Okay, maybe that last one only applies to me.) The point is that Grendel is the monster that the titular hero of Beowulf faces and defeats with pure strength and will. He serves mainly as a superhuman threat to King Hrothgar and the Danes, prompting Beowulf to show up for some old-fashioned monster slaying. Typical mythic story. Yet, to be fair, even in the original poem, the lines of good and evil are not so clearly defined.

A throwaway reference is made that Grendel may be a descendant of Cain, the murderous son of Adam and Eve who offed his brother Abel out of envy for God’s favor. This allusion paints Grendel as something inherently diabolic beyond his ghastly attacks on the king’s hall. His actions result in many a dead man, thus Beowulf’s efforts to kill Grendel seem doubly noble. That said, during the mano-a-mano fight, the poem portrays Beowulf as a monstrous creature, too, perhaps akin to Grendel.

The similarities drawn between Grendel and Beowulf could be enough to write a reversed-perspective story that explores them, and I did expect a stronger focus on Beowulf in Gardner’s novel. Instead, much of the novel centers purely on Grendel’s existential angst, and not in a bad way. Just a mind-tripping one.